Conflict, when dislodged from its conventional understanding as a process and system of war and destruction exclusively, may be apprehended as an experimental method for analysis and synthesis, as a potent resource for pedagogy, for disruptive design and for the production of theory. In this sense, conflict produces more than the eradication of (the possibility of) life and its supporting structures: conflict produces transitional spaces at different scales, of differentiated material ecologies and site-specific meanings in relation to their global position. Conflicts are both locations and explanations of often ‘seductive’ images of destruction offered by popular (and other) media: ruined architectures, dead (or barely alive) bodies, forced migratory movements, impermanent infrastructures and settlements, as well as the tracing and construction of borders, real-estate driven post-war reconstruction processes, etc.
The emphasis on the mediatic aspect in the concept of conflict, may be seen as a way of triggering trans- and interdisciplinary discussions, conversations and encounters that serve as a negotiation between conditions of violence and new — or alternative — possibilities for everyday life. Artistic mediations could be as effective as violence in resolving conflicts, but operate through other means and through other channels, thus truly producing new power relations and alternative ways of political struggle. This exposing of conflict and violence through the artistic work is an activist act, but more importantly an artistic and technological mediation. The agency of the artistic work in terms of conflict, then, is situated in the capacity of visualising the conflict, creating awareness of its consequences, its side-effects, its collateral damage. And the creating of awareness and the becoming of fertile ground for protest and the creation of alternative realities.
We invite researchers, scholars, activists, practitioners and artists to submit proposals for individual papers that address the relationships between spatiality, mediation and conflict from a variety of perspectives. In addition to academic paper contributions, we welcome other proposals in different formats and media: audio-visual material (film, video, photography), digital or physical archives, experimental design proposals, installations, performances, etc. While we are open to all contributions relevant to the thematic core of the conference, we encourage proposals that explore new — or innovative — theoretical and methodological approaches and insights on the topics (namely on: (1) Spaces of conflict as transitional spaces of material interactions between violence and everyday life; and (2) Spaces of memory as transformative space of violence).
Proposals should not exceed 300 words and will be accompanied by a short biographical note. They should be sent by May 31, 2019 to the conference organizers, through the Abstract Submission page.
Abstracts will be selected based on the thematic relevance and nature of the proposals. The deadline for full paper contributions is September 30, 2019. Selected paper contributions will be included in a future issue of the peer-review journal Footprint (https://journals.open.tudelft.nl/index.php/footprint).
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TU Delft Faculty of Architecture and the Built EnvironmentTU Delft Faculty of Architecture and the Built EnvironmentJulianalaan 134 2628BL Delft Netherlands