All times are in Central European Standard time (CET). For further information about the sessions, please see the full program.

21 April 2022

11:00 - 11:15

Welcome by Peter Peters

11:15 - 12:00

Roundtable: Orchestras, Ensembles and Impact with Gerald Mertens, Anna Bull, Lukas Pairon, Hannah Conway & Stefan Rosu

12:00 - 13:00

Break

13:00 - 14:00

Session 1a
Quiet Management with Małgorzata Kaczmarek
&
(Un)Silencing Blacktivism in Opera: A Letter to the Opera Field from Black Administrators with Antonio C. Cuyler

 

Session 1b
Artful Participation: Doing Artistic Research with Symphonic Audiences with Veerle Spronck and Ties van de Werff

14:00 - 15:00

Break

15:00 - 16:00

Round table: Higher Music Education Institutions as driving forces in society with Lies Colman & Susanne van Els

16:00 - 16:30

Break

16:30 - 17:30

Session 2a
Keeping the lines open: Virtually mediated person-centred music-making with isolated vulnerable older people during the COVID-19 pandemic with Krista de Wit
&
Live streaming Music in the UK with Julia Haferkorn

Session 2b
“You Are Just So Used To Tolerate Anything” – Gendered and Sexual Misconduct, and Abuse of Power in the Classical Music Scene in Finland with Anna Ramstedt
&
What are the Danish orchestras practices and capabilities regarding audience development and business development?  with Søren Mikael Rasmussen

22 April 2022

10:45 - 11:00

Recap of day 1

11:00 - 12:00

Session 3a
The importance of Bach’s compositions for activity on borderlines between music and society. The example of Bach’s Festival in Świdnica (Poland) with Bogumila Mika
&
Classical Music Tourism: Blurring Borders through Cross-Cultural Experiences with Jenny Maclay

Session 3b
Creating a Dub Version of Shostakovich’s 8th String Quartet with Andrew Bourbon and Simon Zagorski-Thomas
&
Reimagining Opera with Dario Savino Doronzo and Daniele Sardone

13:00 - 14:00

Session 4a
Study 0,63 % How diverse are Orchestras? with André Uelner 
&
Doing Musikvermittlung = Doing Universality (!?) with Axel Petri-Preis & Sarah Chaker

Session 4b
The Internet as a space for the creation of classical music experiences within the time of pandemic – the case of Belgrade Philharmonic Orchestra with Biljana Leković and Sanela Nikolić
&
Liveness, Aliveness, and Accessible Audiovisualisation of Orchestral Music with Sureshkumar P. Sekar

14:00 - 14:30

Break

14:30 - 15:15

Looking back at four years of MCICM

15:15 - 15:30

Break

15:30 - 16:30

Keynote: Prof. Eleonora Belfiore, director of the Interdisciplinary Centre for Social Inclusion and Cultural Diversity at the University of Aberdeen

16:30 - 16:45

Closing by Peter Peters