Program
All times are in Central European Standard time (CET). For further information about the sessions, please see the full program.
21 April 2022
Welcome by Peter Peters
Roundtable: Orchestras, Ensembles and Impact with Gerald Mertens, Anna Bull, Lukas Pairon, Hannah Conway & Stefan Rosu
Break
Session 1a
Quiet Management with Małgorzata Kaczmarek
&
(Un)Silencing Blacktivism in Opera: A Letter to the Opera Field from Black Administrators with Antonio C. Cuyler
Session 1b
Artful Participation: Doing Artistic Research with Symphonic Audiences with Veerle Spronck and Ties van de Werff
Break
Round table: Higher Music Education Institutions as driving forces in society with Lies Colman & Susanne van Els
Break
Session 2a
Keeping the lines open: Virtually mediated person-centred music-making with isolated vulnerable older people during the COVID-19 pandemic with Krista de Wit
&
Live streaming Music in the UK with Julia Haferkorn
Session 2b
“You Are Just So Used To Tolerate Anything” – Gendered and Sexual Misconduct, and Abuse of Power in the Classical Music Scene in Finland with Anna Ramstedt
&
What are the Danish orchestras practices and capabilities regarding audience development and business development? with Søren Mikael Rasmussen
22 April 2022
Recap of day 1
Session 3a
The importance of Bach’s compositions for activity on borderlines between music and society. The example of Bach’s Festival in Świdnica (Poland) with Bogumila Mika
&
Classical Music Tourism: Blurring Borders through Cross-Cultural Experiences with Jenny Maclay
Session 3b
Creating a Dub Version of Shostakovich’s 8th String Quartet with Andrew Bourbon and Simon Zagorski-Thomas
&
Reimagining Opera with Dario Savino Doronzo and Daniele Sardone
Session 4a
Study 0,63 % How diverse are Orchestras? with André Uelner
&
Doing Musikvermittlung = Doing Universality (!?) with Axel Petri-Preis & Sarah Chaker
Session 4b
The Internet as a space for the creation of classical music experiences within the time of pandemic – the case of Belgrade Philharmonic Orchestra with Biljana Leković and Sanela Nikolić
&
Liveness, Aliveness, and Accessible Audiovisualisation of Orchestral Music with Sureshkumar P. Sekar
Break
Looking back at four years of MCICM
Break
Keynote: Prof. Eleonora Belfiore, director of the Interdisciplinary Centre for Social Inclusion and Cultural Diversity at the University of Aberdeen
Closing by Peter Peters
Borderlands: Classical Music and Society
Registration website for Borderlands: Classical Music and SocietyBorderlands: Classical Music and Societymcicm-fasos@maastrichtuniversity.nl
Borderlands: Classical Music and Societymcicm-fasos@maastrichtuniversity.nlhttps://www.aanmelder.nl/131492
2022-04-21
2022-04-22
OfflineEventAttendanceMode
EventScheduled
Borderlands: Classical Music and SocietyBorderlands: Classical Music and Society0.00EUROnlineOnly2019-01-01T00:00:00Z
Maastricht UniversityMaastricht UniversityMinderbroedersberg 4-6 6211 LK Maastricht Netherlands